Exploring Contemporary Swedish Art Through the AsplundÅman Rug Collection
On January 16, a unique artistic endeavor will be unveiled with the opening of the AsplundÅman rug collection. This project marks the latest development for Swedish artist Michael Asplund, who has previously collaborated on rug designs inspired by the works of renowned artists Hilma af Klint and Olle Bærtling, in conjunction with the respective foundations that curate their legacies. Asplund envisioned a collaboration involving contemporary Swedish artists that could resonate with modern aesthetics and provide a platform for expression.
To bring this idea to fruition, Asplund teamed up with curator Jan Åman, who immediately recognized the potential of the project. Together, they enlisted three prominent artists: Dan Wolgers, Cecilia Edefalk, and Ernst Billgren. Åman describes the collaborative process as a delight, highlighting that each artist brings a distinct perspective, while still belonging to the same artistic generation.
Historically, rugs have played a more prominent role in aesthetics, yet they currently occupy a marginalized space. Åman views this project as a pivotal step in reintroducing rugs as significant artistic objects. The artists were tasked with creating modern rug designs that reflect the times, resulting in 17 unique pieces available in limited editions. Accompanying the collection is a book featuring transcribed conversations between Åman and the artists, delving into their creative processes.
Ernst Billgren, known for his experimental approach, flipped conventional views of artistry by contemplating the impact of transferring images from walls to floors. This lateral thinking invites viewers to engage with art from a new vantage point—literally from above. On the other hand, Dan Wolgers embraced a state of creative inertia, exploring the internet for inspiration, which led to a series of readymades rooted in children's artistic expressions and responses. Åman notes that this cultural amalgamation produced remarkable rug designs that evoke a sense of whimsy and originality.
Cecilia Edefalk's involvement in the project is noteworthy due to her experience in textile translation. She recalls her hesitance during her previous collaboration in 2008 at the Märta Måås Fjetterström studio, which resulted in a well-received textile work. For the AsplundÅman collection, Edefalk has encountered the challenge of translating her paintings into textile formats, requiring precision and a deep understanding of both mediums. Unfortunately, one of her larger works—a painting depicting the sun—is not ready for the opening event. Nevertheless, two of her rugs titled 'Dom' and 'Charm,' inspired by a series of word signs created in her youth at the Royal Institute of Art in the 1980s, will be on display.
Another anticipated piece, Ernst Billgren’s 'Tavlor på utställning', will not be present at the opening; it will debut at his exhibition at the Nationalmuseum this April. Following the initial showcase at Helix in Stockholm for two weeks starting January 16, the rugs will embark on a tour throughout Stockholm during February’s design week.
All the rugs in the AsplundÅman collection are handmade in India using traditional techniques such as hand-knotting and hand-tufting, with prices starting from 40,000 kronor. This project not only highlights the convergence of contemporary artistry and functional design but also paves the way for rugs to reclaim their status within the broader artistic narrative.
Related Sources: